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DOI:\u00a0<\/strong>10.17932\/IAU.ICD.2015.006\/2024.1003<\/p>\n<\/i> \u0130CD Eyl\u00fcl 2024<\/span><\/a>\n<\/i> Edit\u00f6r Mesaj\u0131<\/span><\/a>\n
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\nResearch Articles<\/strong><\/p>\n
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\u00c7ERNOB\u0130L D\u0130Z\u0130S\u0130: BELGESEL DRAMA VE S\u0130M\u00dcLASYON<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n
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CHERNOBYL TV SERIES: DOCUMENTARY DRAMA AND SIMULATION<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n
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Ahmet Nafiz KAV\u0130<\/p>\n
Onur AKYOL<\/p>\n
Mehtap KAV\u0130<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n
<\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n
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YAPAY ZEK\u00c2NIN \u00d6ZNEL BE\u011eEN\u0130LER\u0130 TAKL\u0130T ETME YET\u0130S\u0130NE \u0130T\u0130RAZ: \u201cATAT\u00dcRK\u2019\u00dcN EN SEVECE\u011e\u0130 \u015eARKILAR\u201d NE KADAR GER\u00c7EK\u00c7\u0130?<\/strong><\/p>\n
CHALLENGING ARTIFICIAL INTELLIGENCE\u2019S ABILITY TO IMITATE SUBJECTIVE TASTE: HOW REALISTIC IS \u2018SONGS ATAT\u00dcRK WOULD MOST LIKELY LOVE\u2019?<\/em><\/p>\n
Cihan O\u011eUZ<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n
<\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n
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KR\u0130Z \u0130LET\u0130\u015e\u0130M\u0130 VE KR\u0130Z Y\u00d6NET\u0130M\u0130 \u00dcZER\u0130NE YAPILAN L\u0130SANS\u00dcST\u00dc TEZLER\u0130N \u0130NCELENMES\u0130<\/strong><\/p>\n
ANALYSIS OF POSTGRADUATE THESES ON CRISIS COMMUNICATION AND CRISIS MANAGEMENT<\/em><\/p>\n
\u00d6zlem DU\u011eAN<\/p>\n
Mustafa DEM\u0130REL<\/p>\n
Selda AK\u00c7AL\u0130<\/p>\n
Merve KAYA<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n
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\u015e\u0130R\u0130NLER \u00c7\u0130ZG\u0130 F\u0130LM\u0130N\u0130N \u0130DEOLOJ\u0130K Y\u00d6NEL\u0130MLER A\u00c7ISINDAN \u0130NCELENMES\u0130<\/strong><\/p>\n
AN ANALYSIS OF THE SMURFS CARTOON IN TERMS OF IDEOLOGICAL ORIENTATIONS<\/p>\n
\u015eeyma Nur \u0130M\u0130R<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n
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D\u0130J\u0130TAL YAYIN PLATFORMLARI TEKN\u0130K \u00d6ZELL\u0130KLER\u0130N\u0130N KULLANILAB\u0130L\u0130RL\u0130\u011e\u0130N\u0130N KULLANICI DENEY\u0130M\u0130NE ETK\u0130S\u0130: NETFL\u0130X \u00d6RNE\u011e\u0130<\/strong><\/p>\n
THE EFFECT OF TECHNICAL FEATURES AND USABILITY OF DIGITAL BROADCASTING PLATFORMS ON USER EXPERIENCE: NETFLIX EXAMPLE<\/em><\/p>\n
T\u00fcrkan \u00d6yk\u00fc B\u00dcY\u00dcK\u00c7EL\u0130KOK<\/p>\n
Necmi Emel D\u0130LMEN<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n
<\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n
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\u0130CD EYL\u00dcL 2024 C\u0130LT 10 SAYI 3 DOI L\u0130STES\u0130<\/strong><\/td>\n <\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>","protected":false},"excerpt":{"rendered":"
\u0130STANBUL AYDIN \u00dcN\u0130VERS\u0130TES\u0130 \u0130LET\u0130\u015e\u0130M \u00c7ALI\u015eMALARI DERG\u0130S\u0130 \u0130CD EYL\u00dcL 2024 ISSN:\u00a02149-486X e-ISSN:\u00a02717-8617 Cilt: 10\u00a0 –\u00a0 Say\u0131: 3…<\/p>","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/icd.aydin.edu.tr\/en\/wp-json\/wp\/v2\/pages\/1542"}],"collection":[{"href":"https:\/\/icd.aydin.edu.tr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/icd.aydin.edu.tr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/icd.aydin.edu.tr\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/icd.aydin.edu.tr\/en\/wp-json\/wp\/v2\/comments?post=1542"}],"version-history":[{"count":1,"href":"https:\/\/icd.aydin.edu.tr\/en\/wp-json\/wp\/v2\/pages\/1542\/revisions"}],"predecessor-version":[{"id":1551,"href":"https:\/\/icd.aydin.edu.tr\/en\/wp-json\/wp\/v2\/pages\/1542\/revisions\/1551"}],"wp:attachment":[{"href":"https:\/\/icd.aydin.edu.tr\/en\/wp-json\/wp\/v2\/media?parent=1542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}

\n \n \n \n \u00c7ERNOB\u0130L D\u0130Z\u0130S\u0130: BELGESEL DRAMA VE S\u0130M\u00dcLASYON<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n \n \n \n CHERNOBYL TV SERIES: DOCUMENTARY DRAMA AND SIMULATION<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n \n \n \n Ahmet Nafiz KAV\u0130<\/p>\n Onur AKYOL<\/p>\n Mehtap KAV\u0130<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n	<\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n
\n \n \n \n YAPAY ZEK\u00c2NIN \u00d6ZNEL BE\u011eEN\u0130LER\u0130 TAKL\u0130T ETME YET\u0130S\u0130NE \u0130T\u0130RAZ: \u201cATAT\u00dcRK\u2019\u00dcN EN SEVECE\u011e\u0130 \u015eARKILAR\u201d NE KADAR GER\u00c7EK\u00c7\u0130?<\/strong><\/p>\n *CHALLENGING ARTIFICIAL INTELLIGENCE\u2019S ABILITY TO IMITATE SUBJECTIVE TASTE: HOW REALISTIC IS \u2018SONGS ATAT\u00dcRK WOULD MOST LIKELY LOVE\u2019?<\/em><\/p>\n* *Cihan O\u011eUZ<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n*	<\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n
\n \n \n \n KR\u0130Z \u0130LET\u0130\u015e\u0130M\u0130 VE KR\u0130Z Y\u00d6NET\u0130M\u0130 \u00dcZER\u0130NE YAPILAN L\u0130SANS\u00dcST\u00dc TEZLER\u0130N \u0130NCELENMES\u0130<\/strong><\/p>\n *ANALYSIS OF POSTGRADUATE THESES ON CRISIS COMMUNICATION AND CRISIS MANAGEMENT<\/em><\/p>\n* *\u00d6zlem DU\u011eAN<\/p>\n* *Mustafa DEM\u0130REL<\/p>\n* *Selda AK\u00c7AL\u0130<\/p>\n* *Merve KAYA<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n*	<\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n
\n \n \n \n \u015e\u0130R\u0130NLER \u00c7\u0130ZG\u0130 F\u0130LM\u0130N\u0130N \u0130DEOLOJ\u0130K Y\u00d6NEL\u0130MLER A\u00c7ISINDAN \u0130NCELENMES\u0130<\/strong><\/p>\n AN ANALYSIS OF THE SMURFS CARTOON IN TERMS OF IDEOLOGICAL ORIENTATIONS<\/p>\n \u015eeyma Nur \u0130M\u0130R<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n	<\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n
\n \n \n \n D\u0130J\u0130TAL YAYIN PLATFORMLARI TEKN\u0130K \u00d6ZELL\u0130KLER\u0130N\u0130N KULLANILAB\u0130L\u0130RL\u0130\u011e\u0130N\u0130N KULLANICI DENEY\u0130M\u0130NE ETK\u0130S\u0130: NETFL\u0130X \u00d6RNE\u011e\u0130<\/strong><\/p>\n *THE EFFECT OF TECHNICAL FEATURES AND USABILITY OF DIGITAL BROADCASTING PLATFORMS ON USER EXPERIENCE: NETFLIX EXAMPLE<\/em><\/p>\n* *T\u00fcrkan \u00d6yk\u00fc B\u00dcY\u00dcK\u00c7EL\u0130KOK<\/p>\n* *Necmi Emel D\u0130LMEN<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n*	<\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n
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\u0130CD EYL\u00dcL 2024 C\u0130LT 10 SAYI 3 DOI L\u0130STES\u0130<\/strong><\/td>\n	<\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>","protected":false},"excerpt":{"rendered":" \u0130STANBUL AYDIN \u00dcN\u0130VERS\u0130TES\u0130 \u0130LET\u0130\u015e\u0130M \u00c7ALI\u015eMALARI DERG\u0130S\u0130 \u0130CD EYL\u00dcL 2024 ISSN:\u00a02149-486X e-ISSN:\u00a02717-8617 Cilt: 10\u00a0 –\u00a0 Say\u0131: 3…<\/p>","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/icd.aydin.edu.tr\/en\/wp-json\/wp\/v2\/pages\/1542"}],"collection":[{"href":"https:\/\/icd.aydin.edu.tr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/icd.aydin.edu.tr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/icd.aydin.edu.tr\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/icd.aydin.edu.tr\/en\/wp-json\/wp\/v2\/comments?post=1542"}],"version-history":[{"count":1,"href":"https:\/\/icd.aydin.edu.tr\/en\/wp-json\/wp\/v2\/pages\/1542\/revisions"}],"predecessor-version":[{"id":1551,"href":"https:\/\/icd.aydin.edu.tr\/en\/wp-json\/wp\/v2\/pages\/1542\/revisions\/1551"}],"wp:attachment":[{"href":"https:\/\/icd.aydin.edu.tr\/en\/wp-json\/wp\/v2\/media?parent=1542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}