\u0130LET\u0130\u015e\u0130M \u00c7ALI\u015eMALARI DERG\u0130S\u0130<\/strong><\/p>\n

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DOI:\u00a0<\/strong>10.17932\/IAU.ICD.2015.006\/2025.1103<\/p>\n<\/i> \u0130CD Eyl\u00fcl 2025<\/span><\/a>\n<\/i> Edit\u00f6r Mesaj\u0131<\/span><\/a>\n
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\nAra\u015ft\u0131rma Makaleleri<\/strong><\/p>\n
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TOZ BEZ\u0130 F\u0130LM\u0130NDE G\u00d6R\u00dcNMEYEN KADIN EME\u011e\u0130, SINIF VE TOPLUMSAL C\u0130NS\u0130YET M\u00dcCADELES\u0130 \u00dcZER\u0130NE B\u0130R \u0130NCELEME<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n
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A STUDY ON THE INVISIBLE WOMEN\u2019S LABOR, CLASS AND GENDER STRUGGLE IN THE FILM TOZ BEZ\u0130<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n
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Bilgen KUZU<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n
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HI\u00c7KIRIK VE AH G\u00dcZEL \u0130STANBUL F\u0130LMLER\u0130NDE MELODRAM GER\u00c7EK\u00c7\u0130L\u0130\u011e\u0130NE B\u0130R BAKI\u015e<\/strong><\/p>\n
A LOOK AT MELODRAMA REALISM IN THE FILMS THE HICCUP AND OH BEAUTIFUL ISTANBUL<\/em><\/p>\n
Burhan DEM\u0130R<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n
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G\u00d6ZET\u0130M VE DENET\u0130M ARACI OLARAK D\u0130J\u0130TAL REKLAMCILIK: GOOGLE, META VE T\u0130KTOK \u00d6RNEKLER\u0130<\/strong><\/p>\n
DIGIITAL ADVERTISING AS A TOOL OF SURVEILLANCE AND CONTROL: THE CASES OF GOOGLE, META, AND T\u0130KTOK<\/em><\/p>\n
Elif G\u00fcl\u015fah ARICI<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n
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T\u00dcRK\u0130YE\u2019DEK\u0130 HABER AJANSLARININ \u00c7ER\u00c7EVELEME PRAT\u0130KLER\u0130 \u00dcZER\u0130NE B\u0130R VAK\u2019A ANAL\u0130Z\u0130: \u0130MAMO\u011eLU \u00d6RNE\u011e\u0130<\/strong><\/p>\n
A CASE ANALYSIS ON THE FRAMING PRACTICES OF NEWS AGENCIES IN TURKIYE: THE EXAMPLE OF IMAMO\u011eLU<\/p>\n
Selahattin B\u00d6L\u00dcKBA\u015eI<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n
<\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n
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GENERATING E-LOYALTY STRATEGIES ON FACEBOOK AND INSTAGRAM THROUGH META SUCCESS STORIES: A MODEL EVALUATION FROM OLIVER\u2019S LOYALTY FRAMEWORK<\/strong><\/p>\n
META BA\u015eARI H\u0130KAYELER\u0130 \u00dcZER\u0130NDEN FACEBOOK VE \u0130NSTAGRAM\u2019DA E-SADAKAT STRATEJ\u0130LER\u0130 \u00dcRETMEK: OLIVER\u2019IN SADAKAT \u00c7ER\u00c7EVES\u0130NDEN B\u0130R MODEL DE\u011eERLENDI\u0307RMES\u0130<\/em><\/p>\n
Zeynep KINALI S.M. ABEDALKADER<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n
<\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n
\u0130CD EYL\u00dcL 2025 C\u0130LT 11 SAYI 3 DOI L\u0130STES\u0130<\/strong><\/td>\n <\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"
\u0130STANBUL AYDIN \u00dcN\u0130VERS\u0130TES\u0130 \u0130LET\u0130\u015e\u0130M \u00c7ALI\u015eMALARI DERG\u0130S\u0130 \u0130CD EYL\u00dcL 2025 ISSN:\u00a02149-486X e-ISSN:\u00a02717-8617 Cilt: 11\u00a0 –\u00a0 Say\u0131: 3…<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/icd.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages\/1602"}],"collection":[{"href":"https:\/\/icd.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/icd.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/icd.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/icd.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/comments?post=1602"}],"version-history":[{"count":2,"href":"https:\/\/icd.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages\/1602\/revisions"}],"predecessor-version":[{"id":1617,"href":"https:\/\/icd.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages\/1602\/revisions\/1617"}],"wp:attachment":[{"href":"https:\/\/icd.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/media?parent=1602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}

\n \n \n \n TOZ BEZ\u0130 F\u0130LM\u0130NDE G\u00d6R\u00dcNMEYEN KADIN EME\u011e\u0130, SINIF VE TOPLUMSAL C\u0130NS\u0130YET M\u00dcCADELES\u0130 \u00dcZER\u0130NE B\u0130R \u0130NCELEME<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n \n \n \n A STUDY ON THE INVISIBLE WOMEN\u2019S LABOR, CLASS AND GENDER STRUGGLE IN THE FILM TOZ BEZ\u0130<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n \n \n \n Bilgen KUZU<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n	<\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n
\n \n \n \n HI\u00c7KIRIK VE AH G\u00dcZEL \u0130STANBUL F\u0130LMLER\u0130NDE MELODRAM GER\u00c7EK\u00c7\u0130L\u0130\u011e\u0130NE B\u0130R BAKI\u015e<\/strong><\/p>\n *A LOOK AT MELODRAMA REALISM IN THE FILMS THE HICCUP AND OH BEAUTIFUL ISTANBUL<\/em><\/p>\n* *Burhan DEM\u0130R<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n*	<\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n
\n \n \n \n G\u00d6ZET\u0130M VE DENET\u0130M ARACI OLARAK D\u0130J\u0130TAL REKLAMCILIK: GOOGLE, META VE T\u0130KTOK \u00d6RNEKLER\u0130<\/strong><\/p>\n *DIGIITAL ADVERTISING AS A TOOL OF SURVEILLANCE AND CONTROL: THE CASES OF GOOGLE, META, AND T\u0130KTOK<\/em><\/p>\n* *Elif G\u00fcl\u015fah ARICI<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n*	<\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n
\n \n \n \n T\u00dcRK\u0130YE\u2019DEK\u0130 HABER AJANSLARININ \u00c7ER\u00c7EVELEME PRAT\u0130KLER\u0130 \u00dcZER\u0130NE B\u0130R VAK\u2019A ANAL\u0130Z\u0130: \u0130MAMO\u011eLU \u00d6RNE\u011e\u0130<\/strong><\/p>\n A CASE ANALYSIS ON THE FRAMING PRACTICES OF NEWS AGENCIES IN TURKIYE: THE EXAMPLE OF IMAMO\u011eLU<\/p>\n Selahattin B\u00d6L\u00dcKBA\u015eI<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n	<\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n
\n \n \n \n GENERATING E-LOYALTY STRATEGIES ON FACEBOOK AND INSTAGRAM THROUGH META SUCCESS STORIES: A MODEL EVALUATION FROM OLIVER\u2019S LOYALTY FRAMEWORK<\/strong><\/p>\n META BA\u015eARI H\u0130KAYELER\u0130 \u00dcZER\u0130NDEN FACEBOOK VE \u0130NSTAGRAM\u2019DA E-SADAKAT STRATEJ\u0130LER\u0130 \u00dcRETMEK: OLIVER\u2019IN SADAKAT \u00c7ER\u00c7EVES\u0130NDEN B\u0130R MODEL DE\u011eERLENDI\u0307RMES\u0130<\/em><\/p>\n *Zeynep KINALI S.M. ABEDALKADER<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n*	<\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n
\u0130CD EYL\u00dcL 2025 C\u0130LT 11 SAYI 3 DOI L\u0130STES\u0130<\/strong><\/td>\n	<\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":" \u0130STANBUL AYDIN \u00dcN\u0130VERS\u0130TES\u0130 \u0130LET\u0130\u015e\u0130M \u00c7ALI\u015eMALARI DERG\u0130S\u0130 \u0130CD EYL\u00dcL 2025 ISSN:\u00a02149-486X e-ISSN:\u00a02717-8617 Cilt: 11\u00a0 –\u00a0 Say\u0131: 3…<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/icd.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages\/1602"}],"collection":[{"href":"https:\/\/icd.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/icd.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/icd.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/icd.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/comments?post=1602"}],"version-history":[{"count":2,"href":"https:\/\/icd.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages\/1602\/revisions"}],"predecessor-version":[{"id":1617,"href":"https:\/\/icd.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages\/1602\/revisions\/1617"}],"wp:attachment":[{"href":"https:\/\/icd.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/media?parent=1602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}